Abstract
The study examines ‘Migration and Culture Shock: Neo-Cultural Praxis and Mathe-logic Reformations in Babel of Voices, Tinuke’s Last Dance. It also reviews various feelings and excruciating experiences of the people. This provides a discursive analysis of society and constant need to x-ray those aspects of cultural trends that are problematic. The research is library oriented. Psychological and historical approaches are used in the study as theoretical framework to achieve greater result concerning issues raised in this study and writer’s lenses through the society. In a nutshell, the findings of this research highlights those social problems to draw attention of the audience on various aspects of acculturated behaviours vis-à-vis education that may have touched the playwright to initiate discourse in the guise of critiquing these anomalous situations for highlighted reforms. Babel of Voices situates Charles Okwelume as the likely person who will advance or take Ola Rotimi’s banner in creativity. It also attempts to look at the society to inform audience on the relevance of exposing these abnormal practices and challenges that are inimical to culture and progressive society. These necessitate trends, prospects and challenges of Nigerian culture in this twenty-first century.